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One of his best loved LPs, Howlin’ Wolf is widely recognized as one of the all-time cornerstones of Chicago Blues (it was also named the third greatest guitar album of all time by Mojo magazine in 2004). Harry Edison had recorded with Holiday on just one session during the thirties (on December 14, 1939, which also featured Lester Young and Buck Clayton). The name Serpent Power originally belonged to Skelly's backing band during his solo tour; they chose to adopt the name for this particular project.
This album is a must for all fans of classic blues, The Fabulous Thunderbirds and fans of Blues Harmonica. And now the trio have released their self titled debut album ‘Sir Rosevelt’.“Sir Rosevelt is a new chapter in addition to Zac Brown Band," Brown said in a statement. Get ready.” Brown further explained, “To me, that’s what makes a real artist -- it’s natural to want to create music that’s similar to what we like to listen to. Among the many rare tracks originally issued as singles, this set presents the complete contents of the original LPs I Like Men! Rather, Sir Rosevelt serves as Brown's progression as an artist as he moves more into a mix of pop, dance and acoustics -- an exploration that began with Zac Brown Band's fourth major-label studio album ‘Jekyll Hyde’ in 2015. In addition, this set contains a wonderful 1958 all-star small group session on which Lee is backed by Carter on alto sax along with such masters as Jack Sheldon, Pete Candoli, Frank Rosolino, Jimmy Rowles, and Barney Kessel. ‘Jazz Samba Encore’, recorded in early 1963 saw him return to a small group but this time utilised the talents of Brazilian musicians Luiz Bonfa and Antonio Carlos Jobim. S first new studio album in 10 years and is replete with a heavy list of who’s who of hip-hops finest featured on the track listings. From the nascent splendour of 1995’s “Back In The World Of Adventures” onwards, Stolt and his merry prog rock men have been an unwavering force for artistic good: symphonic rock warriors waging a war against mindless trends and the dark forces of boring music. Getz was determined to be the one to break the sound to American ears and on 13th February 1962 recorded ‘Jazz Samba’, the first in a series of albums he recorded using the seductive Brazilian rhythm. After the stripped down sound of the first album, Getz went ‘Big Band Bossa Nova’ later that year with a much larger ensemble. You can find the proof of what happened next within this lavish, generously proportioned box set containing the first half of The Flower Kings’ extraordinary catalogue of immersive, immaculate studio albums. “These remixes – more than one hour worth of music – are, as I see it, more detailed and better balanced, where I found this album to be painfully brutal, overly compressed and rough in the original 2002 mix, at times.” 1 Rhythm Of Life 2 Retropolis 3 Rhythm Of The Sea 4 There Is More To This World 5 Romancing The City 6 The Melting Pot 7 Silent Sorrow 8 The Judas Kiss 9 Retropolis By Night 10 Flora Majora 11 The Road Back Home 1 In The Eyes Of The World 2 A Room With A View 3 Just This Once 4 Church Of Your Heart 5 Poor Mr.
The final album in this wonderful box set and also recorded in 1963 is Getz’s collaboration with another Brazilian guitarist, Laurindo Almeida who is credited as being at the forefront of the creation of the bossa nova sound. Stolt says: “For this re-release I have carefully remixed “The Truth Will Set You Free, Devil’s Playground” and “Black & White” – it wasn’t easy to find, or even remember, where all files resided.
The singer and tenorist participated on five more recording sessions together prior to 1937. 06 MY MAN 07 I’M JUST WILD ABOUT HARRY 08 I LOVE TO LOVE 09 IT’S SO NICE TO HAVE A MAN AROUND THE HOUSE 10 SO IN LOVE 11 I LIKE MEN!
She waxed three of her earliest hits at the session: “I Wished on the Moon”, “What a Little Moonlight Can Do” and “Miss Brown to You”, which would remain in her repertoire throughout her career. 06 SEE SEE RIDER 07 LOADS OF LOVE 08 I BELIEVE IN YOU 09 PLEASE DON’T RUSH ME 10 MY SILENT LOVE 11 I’LL GET BY 12 I DIDN’T FIND LOVE 13 I’M A FOOL TO WANT YOU 14 I NEVER HAD A CHANCE 15 WHISPER NOT 16 TELL ALL THE WORLD ABOUT YOU 17 BIG BAD BILL (IS SWEET WILLIAM NOW) 18 THE BEST IS YET TO COME 19 TEACH ME TONIGHT 20 WHEN THE SUN COMES OUT 21 I’LL BE AROUND 22 AMAZING 23 I DON’T WANNA LEAVE YOU NOW 24 I’VE GOT THE WORLD ON A STRING 25 EMBRASSE MOI (EMBRACE ME JUST ONE MORE TIME) 26 THE SWEETEST SOUNDS 27 I’M A WOMAN 1 BOUQUET OF BLUES 02 LOVE LETTERS 03 THE GYPSY WITH FIRE IN HIS SHOES 04 CHARLEY MY BOY 05 OH JOHNNY, OH JOHNNY, OH!
This collector’s edition contains Howlin’ Wolf ’s eponymous second album for Chess Records, Howlin’ Wolf (released in January 1962). Their paths would then diverge, and with the exception of a single 1944 radio broadcast in which both were captured on two tunes (“Fine and Mellow” and “All of Me”), no further collaborations between Billie and Ben exist until the first of the many sessions included on this set, which took place on August 14, 1956. 12 JIM 13 BILL 14 WHEN A WOMAN LOVES A MAN 15 GOOD FOR NOTHIN’ JOE 16 STORMY WEATHER (*)17 I CAN'T GIVE YOU ANYTHING BUT LOVE (*)18 HAPPINESS IS A THING CALLED JOE (*)19 TALKIN’ TO MYSELF ABOUT YOU (*)20 THEM THERE EYES (*)21 BABY DON'T BE MAD AT ME (*)22 EVERYBODY LOVES SOMEBODY (*)23 FOOLIN' NOBODY BUT ME (*)24 JOHNNY GUITAR (*)25 AUTUMN IN ROME (*)26 IT MUST BE SO (*)27 STRAIGHT AHEAD (*)28 LET ME GO, LOVER!
The long play, which has come to be known as “The Rockin’ Chair Album”, was originally released as a collection of singles (totalling nine tracks) taped and released individually between 19 (with the exception of the songs “Who’s Been Talkin’” and “Tell Me”, cut in 1957). With the exception of the two December 1957 versions of “Fine and Mellow” recorded for the TV broadcast “The Sound of Jazz” (one is a studio recording and the other the actual live performance during the show) – in which Billie was also reunited with Lester Young – all of Webster and Holiday’s late collaborations are limited to their 1956-57 recordings for Norman Granz, some of which were issued on the album All or Nothing at All . (*)29 HOW BITTER, MY SWEET (*) ‘Electric Looneyland’ is the new album from the Liverpool-based psychedelic band Serpent Power.
The answer to this is in the quality of the B-sides, which are every bit as good as the better-known A-sides. When plugged in and played they tapped into an unearthly Martian scale with the power to raise Edgar Allan Poe from the dead! Serpent Power make 21st century psychedelia that takes its cues from no-one, and is powered only by the twisted wheels of their own imagination.