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Her charm and confidence give Midge life, projecting, like the women before her, Sherman-Palladino’s own snappy persona.“I like witty, confident characters, it’s that simple,” she explains. Sutton’s was a bit of a mess; she was a silent comic.
Luke correctly calls her out on the absurdity of her plan to go “do ” in the Pacific Crest Trail: “There’s dirt, bugs, animals, mosquitos, rivers.
The opening of the Netflix revival felt like we had all gone back home to Stars Hollow again—one could almost smell the fresh coffee wafting out of Luke’s Diner. It’s perfectly normal to want to keep therapy private! And what is so terrible about Richard Gilmore leaving some money for Luke in his will? Paris Geller wouldn’t even remember Tristan’s name, much less still care about him.
But then as the four 90-minute episodes of unfolded, something strange happened: Those lovable, talkative characters we thought we knew so well suddenly start behaving in odd, unexplainable ways. Let’s just accept the fact that these two are perfect for each other and leave it at that; they’ve been through enough. If Paris Geller bumped into Tristan during a Chilton reunion, our money is on her pulling a Mariah: “Who?
We are to believe that the same person who lost her virginity to a married ex-boyfriend and who has continued sleeping with another other ex-boyfriend—even though he’s engaged, and she’s dating someone else—is somehow too pure to have had a one-night stand during her 20s? You don’t suddenly lower your standards to sleeping with a man in a Wookiee costume without having had a few other questionable sexual encounters beforehand. Your California Privacy Rights The material on this site may not be reproduced, distributed, transmitted, cached, or otherwise used, except with the prior written permission of Condé Nast.
Lorelai would never head out into the wilderness to find herself.
But Rachel’s character, Midge, is younger, she’s in her 20s, she’s exuberant. She’s vivacious, and that’s an energy she directs into her comedy.”While that part of the recipe has stayed the same, for the first time, Sherman-Palladino has decided to venture outside the world of fictional small towns into big-city New York, and time-travel from modern-day to the 1950s, an era that wasn’t exactly the kindest to the sort of forward feminist characters she’s built her brand on.