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The thirty-two artists who participated were tasked with creating, in a single day, an 8-page comic based on the work of Petrus Nooi, a sculptor who works in concrete and sells his pieces from his yard next to the road that connects Stellenbosch with the informal settlement of Khayelitsha.
Critics, artists, writers, thinkers and academics were invited to bring and share a story, and then to relate it to an image, with the intention of exploring parallel experiences, memories and relationships to places.Published to coincide with the exhibition, Standard Bank Gallery, Johannesburg, 2017. Neelika Jayawardane "Anecdotes Of That Which Is So Visible It Cannot be Seen: on the supernatural in Andrew Tshabangu's work" by Bonaventure Soh Bejeng Ndikung "'No Hawkers': signs taken for Johannesburg" by Hlonipa Mokoena "The Value of Andrew Tshabangu's Photography" by Simon Njami "Andrew Tshabangu's City" by Bronwyn Law-Viljoen "Incomparable: the art of Andrew Tshabangu in context" by Michael Godby Andrew Tshabangu has been making photographs for over twenty years.He was born in 1966 in Johannesburg, where he currently lives and works.Includes the essays: "Andries Botha, (dis)Appearance(s)" by Valerie Leigh "Lest We Forget" by Professor Pitika Ntuli "History, Art, Remembering and Memorials (Harm)" by Dr Johan Wassermann "An Art of Imagining" by Professor Mike Chapman Catalogue of the travelling exhibition that opened at the University of Stellenbosch Woordefees in March 2011. Catalogue of the exhibition, Cape Town, 30 August-2 September 2002.Includes the essays: "'Stains Upon Silence'" by Michael Godby "Feet Also Feature" by Sally-Ann Murray "The Picture Stares Back" by Gerhard Schoeman. A complex art installation bringing together issues of public sculpture, urban planning, city politics & performance art. Catalogue of the exhibition on the Werdmuller Centre, an iconic "failed" piece of architecture built in the 1960s in Claremont, Cape Town, Michael Stevenson, Cape Town, 2010. Angela Ferreira was born in 1958 in Maputo, Mozambique, and now lives and works in Lisbon.A selection of twelve short documentary films from South Africa.
The films include: "Dada the Dancing Swan", directed by Mduduzi Janda, about Sowetan-born dancer and artist Dada Masilo (14 minutes) "Art from the Heart", directed by Neo Sefako, about botanical artist Sbonelo Chiliza (12 minutes) "Magpies of Barrydale", directed by Tamsyn Reynolds, about Magpie, an arts collective making chandeliers out of recycled rubbish (8 minutes) "Imaginary Maps", directed by Dowelani Nenzhele, about cartographic artist John Phalane (13 minutes) "Places of Meaning", directed by Pumlani Veto, about artist Christine Dixie (13 minutes) Catalogue of the exhibition of paintings, 34 Long Fine Art, Cape Town, 2009. Catalogue of the exhibition, Pertwee Anderson & Gold, London, and 34Fine Art, Cape Town, 2012. This book was published on the occasion of the exhibition, Baudoin Lebon Gallery, Paris, and Gallery MOMO, Johannesburg, 2013.
Includes the essay, "Vocation, Recognition, Chronology" by curator Muller Ballot. Catalogue of the exhibition of paintings, Graham's Fine Art Gallery, Johannesburg, 2012.
André van Vuuren was born in Benoni near Johannesburg in 1945 and lives in Riebeek Kasteel in the Western Cape. Contributions include: "The 'Hidden Political Significance' of Andrew Tshabangu's 'Hostel Interiors'" by Ashraf Jamal "Dreaming of Transcendence: Andrew Tshabangu's photography" by M.
Includes the essays, "Asha Zero Macro Soda Text Hits" by Antoinette du Plessis, "Fragments of Memory: Asha Zero and the Waking Dream" by Gus Silber, and "Sublime Confusion" by Delphi Carstens. Includes the essays: "Virtual Landscapes" and "Asha Zero and the Acts of Cancellation" by Sanford Shaman "Introduction to Micro Cluster Picnic" by Shane de Lange "Asha Zero Macro Soda Text Hits" and "Better Left Unsaid" by Antoinette du Plessis "Fragments of Memory: Asha Zero and the walking dream" by Gus Silber. Ayana Jackson "draws on images sourced from the Duggan Cronin collection created in South Africa, the works of unknown photographers practicing throughout the global south at the time, as well as documentation of reconstructed villages and 'native' performers that were touring in Europe's Human Zoos... Capecodes is a project focused on skills training in live modern audio drama. Contributions include: "Abasebenzi (workers)", based on a play written by Black Ink of Dunoon, with illustrations by Khanyiso Mabodla and Loyiso Pitolo assisted by Thabo Xinindlu "Umkhonto ugwaze ekhaya (Bad deeds come back to bite you)", based on a play written by Survivors of the Performing Arts, with illustrations by Anele Ncokazi and Sgqibo Mdleleni assisted by Khayalethu Ndolela. Catalogue of the exhibition of paper based works, collage, paper sculptures and altered books, Erdmann Contemporary, Cape Town, 2012.
The artist's process involves identifying recurring motifs in the original images, interrogating them, performing them and reconstructing them." from pg. Jackson was born in 1977 in Livingston, New Jersey. Includes "Notes from the Coalface", Barbara Wildenboer interviewed by Carsten Rasch.
In 2016 she completed a residency, awarded by Capo d'Arte and the French Academy in Rome, in Galiona del Capo, Italy.