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Choreographed by: Jerry Evans, Mark Martinez, and Marlene Lang Diaz was an instant star after her screen debut, while Jim Carrey showed he was more than a funny face with this fast-paced — and jaw-dropping — routine.
Choreographed by: Adam Shankman, Anne Fletcher, Jamal Sims, Joey Pizzi, and Zach Woodlee Tracy Turnblad (Nikki Blonsky) learns a whole new way to dance in detention from Seaweed (Elijah Kelley) and his sister Inez (Taylor Parks).Hollywood has really stepped up its choreography game over the last 35 years, gifting audiences with hundreds of incredibly memorable — and mimicable — routines.So, I laced up my red shoes to look back on the best live-action (sorry, Beauty and the Beast), American-funded (sorry, Strictly Ballroom) films from the last 35 years (sorry, Grease) to determine which routine set the barre the highest. Choreographed by: Marguerite Derricks and Jennifer Hamilton Under the influence of an evil alien parasite, Peter Parker (Tobey Maguire) gains a new wardrobe, an overinflated sense of self, and — apparently — the ability to literally sweep Mary Jane (Kirsten Dunst) off her feet.Choreographed by: Sam Rockwell, Marguerite Derricks, and Jennifer Hamilton Sam Rockwell's smooth footwork has worked its way into a half dozen films, but it first hit the screen in this blockbuster with the magic of Pharoahe Monch's "Simon Says" behind it.Choreographed by: Bob Fosse, Gene Foote, and Kathryn Doby While there are more memorable routines, the beauty of "On Broadway" is how perfectly it conveys the sheer volume of dancers clamoring for the same spot. ) Choreographed by: Rob Marshall, Cynthia Onrubia, Denise Faye, and Joey Pizzi, with a special thanks to Bob Fosse Catherine Zeta-Jones and Renee Zellweger prove that two is always better than one (except when it's not ... Choreographed by: Alison Faulk and Teresa Espinosa Channing Tatum, Matt Bomer, Joe Manganiello, Adam Rodriguez, and Kevin Nash put your money where their mouth is in this attention-grabbing group number.It comes outta the gate hard and fast with a killer battle that puts everyone on notice.
Choreographed by: John Carrafa With a quick — and smart — shout-out to their sixth grade talent show, Rachel (Ginnifer Goodwin) and Darcy (Kate Hudson) have complete freedom to spontaneously perform a perfectly choreographed dance routine. Brown, Laurieann Gibson, Monica Gomez, Kennis Marquis, and Vergi Rodriguez You will believe in Honey's (Jessica Alba) talents as a choreographer after watching her students bring the thunder in this showcase.
Choreographed by: Adam Shankman, Anne Fletcher, Jamal Sims, Joey Pizzi, and Zach Woodlee Even John Travolta's fat suit shaking can't stop the sense of inescapable fun coursing throughout this stunning pastiche of '60s-styles.
Choreographed by: Rob Marshall, John De Luca, Denise Faye, Tara Nicole Hughes, and Joey Pizzi Kate Hudson delivers this mod routine with such a boundless sense of effervescence that it's not surprising the performance dominated promotional materials for the movie. Choreographed by: Kenny Ortega and Miranda Garrison This scene is all watermelons and sweaty, writhing bodies until Patrick Swayze and Cynthia Rhodes arrive to class up the joint and answer the immortal question: "Do You Love Me?
And more than 20 years later, no film has surpassed "Joyful, Joyful" in terms of unbridled pleasure.
If you can make it through this routine without smiling like a doofus, well... Choreographed by: Rob Marshall, Cynthia Onrubia, Denise Faye, and Joey Pizzi, with a special thanks to Bob Fosse CZJ may sing that she "Can't Do It Alone," but all evidence works to the contrary.
Choreographed by: Marguerite Derricks, Lyle Beniga, Jennifer Hamilton, and Dan Domenech, So You Think You Can Dance scene-stealer Kherington Payne runs away with this movie's most memorable routine, set to Sam Sparro's sublime "Black & Gold." Choreographed by: Marguerite Derricks and Michelle Elkin Mike Myers' star-studded franchise tapped Britney Spears — at her ab-flaunting peak — to cameo in the dance-tastic opening credits sequence and revealing, in the process, that she's a Fembot (duh).